Haruki Murakami has quite the cult following, and fans are getting a double dose of him this year. The recently released Colorless Tsukuru Tazaki and His Years of Pilgrimage will be followed up in December by The Strange Library, which sounds particularly interesting. For his avid fans looking to branch out into other works, here are some suggestions based on why readers are drawn to his various works. You also can find these titles listed in the catalog. Read More..
In the Spotlight
It takes a certain kind of nerd to want to read the dictionary, and there’s even a name for it: logophile, or lover of words. I’m always been interested in obscure words and how definitions of certain words have changed over time. I was the kind of kid who read the dictionary for fun. Really.
I’m not quite ambitious enough to undertake reading the entire Oxford English Dictionary, but I was intrigued enough by the idea to read Reading the OED: One Man, One Year, 21,730 Pages by Ammon Shea. In 26 chapters, Shea shares his experience reading every single word in the dictionary and documents the amusing words he discovers during the process. It was an interesting and entertaining read.
About the time I finished, my friend, an acquisitions editor at Oxford University Press, said she got an email at work asking for suggestions on words to add to the OED as well as nominations for word of the year (last year’s was selfie) and asked for ideas. While I couldn’t think of a word I thought warranted such an honor, it did get me thinking about how a word enters a dictionary, as well as how early dictionaries were compiled. Turns out, it’s quite a tale, and is documented in The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary by Simon Winchester. Read More..
What inspires the artist to create? Is it borne of a deep connection with the instrument or medium? Is it a need to connect one’s inner life with the outer world? Is making art about influencing change or creating beauty or making peace? As this process of creation is unique to each of us, the possibilities are endless. Self-Made Worlds: Visionary Folk Art Environments offers a glimpse into the world of artists whose works “challenge long-standing ideas about what art is and what it can be.” These artists, often self-taught, tend to focus on spiritual and mystical themes and have sometimes been categorized as outsider, visionary, or folk artists.
2014 marks the double anniversary for the World’s Fairs that were held in New York City. The 1939 fair opened seventy-five years ago and the 1964 fair opened fifty years ago. The World of Tomorrow: The 1939 World’s Fair, by Larry Zim, Mel Lerner and Herbert Rolfes gives the reader a chance to relive the excitement of an event most of us did not have the opportunity to experience firsthand. Read More..
Nearly 20 years ago, Roberta Brown Rauch retrieved from her attic what editor Amy Gary describes as “the treasure of a lifetime”: a trunk crammed with manuscripts typewritten on onionskin paper and bound together with countless, rusty paperclips. Rauch had become their owner when her sister, Margaret Wise Brown, died in 1952. Twelve were published for the first time earlier this year in a beautiful new bedtime book, Goodnight Songs. A dozen of today’s top children’s book artists, including Jonathan Bean, Eric Puybaret, and Dan Yaccarino, illustrate the rhymes, and a CD of musical adaptations accompanies them. Read More..
Things have changed a lot around here, if you haven’t noticed. With instant RFID check-out stations, solar tubes, and a huge automated check-in machine, the newest incarnation of your Lawrence Public Library might seem more like a spacecraft than a book repository. It looks like it could lift off for a cosmic voyage. Read More..
Author Phyllis Rose wants to take you on a literary experiment like none other. The Shelf: From LEQ to LES opens in the stacks of the New York Society Library, where Rose has taken it upon herself to read across a single shelf of fiction in order to learn about a variety of novels in a completely arbitrary way. “Usually we choose our reading from a preselected list of books, compiled by reviewers, award panels, librarians, teachers, and professors,” Rose explains. “What about all those books that are never read at all, never even considered? Let me, I thought, if only for a change, choose my reading almost blindly. Who knows what I will find?” Read More..
One of the great joys of parenting toddlers for me has been the newly acquired skill to perform basic human functions while half asleep. Specifically, I’ve found much pleasure in recent years reading aloud to my kids, and silently to myself, in a state approaching unconsciousness. Having never come close to mastering the art of lucid dreaming, which always sounded so fun, this may be as close as I will get to operating in the plane of the surreal (unless you count an ill-conceived game my 3-year old and I play sometimes called “Food Coloring and Shaving Cream”). I find the benefits—strange connections between the text and various subconscious flights of my own weary, wandering mind—usually outweigh the drawbacks, which have included the replacement of P. D. Eastman’s deathless prose with my own inappropriate word salad. My biggest complaint about reading half asleep is the simple inevitability of falling totally asleep within a few paragraphs or pages, and frequently forgetting most of what I’ve read. But I figured there must be writing that lends itself to this mode of consumption, and after a brief quest for the perfect book to read in a half asleep state, I believe I’ve found it. Read More..
There’s been a bit of an uproar about a recent article on Slate about how grownups should be embarrassed to read young adult literature. But if you’ve been a part of the vibrant, thriving community of adults who these books for long, you know this is nothing new. There are all kinds of click-bait articles written with the intention of shaming the (mostly women) readers who enjoy books with teen characters and coming of age stories, whether they are poignant and realistic or dystopian drama.
Confession: I used to be one of those people.
I walked into the Carnegie building that chilly spring morning as the newest employee of the Lawrence Public Library. The library had moved to its temporary location and this all-staff gathering was an opportunity to meet as team and envision our library’s future. The keynote speaker that day was Nancy Rosenwald who, having recently helped elevate her South Carolina library to Best Small Library in America, was there to share her expertise. Rosenwald invited us to be “agents for change” in this profession of “vital and transformative work”. She spoke of public libraries as “third places”, free grounds for social interaction that are not in the home or work sphere, where the magic of community can unfold. “Foster the human connection,” she urged us, “love the children and get to yes!”
It was inspiring. And it got me to thinking: Where would we be without our public library system? Read More..