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Fisher Adwell

For Marvel’s Consideration

We’ve now entered into what I’ve deemed the “weird phase” of Marvel.

Brought on by the commercial and critical success of the previously unknown property Guardians of the Galaxy, director James Gunn and co-writer Nicole Perlman have paved the way for indie creators to work on blockbuster titles while bringing their own unique visions and perspectives to the Marvel Cinematic Universe. Read More..

Summer Soundtracks

Ah summer.

Grown-up summer has a lot going against it. The days of three month summer vacation are long gone, and the electricity bill is higher than ever. The humidity leaves your shirt sticking to your back the moment you step outside, and getting into your car will cook you alive. The scent of chlorine is everywhere. But despite it all, I love summertime.

Part of that is the soundtrack.

Every year, starting in the late spring and going right through August, I do a little time travelling. Old friends like Simon and Garfunkel, Bob Dylan, Johnny Cash, Sam Cooke, and, of course, the “Fab Four” keep me constant company. A couple of classic seventies acts make appearances as well.

Is it the weather? Is it the image of hippy dippy types frolicking in the sun? I don’t know. There’s nothing to stop me from listening to these fellas year round, but for whatever reason they inevitably take over around now. It just makes sense!

Am I alone here? I got a handful of LPL audiophiles to share their summer soundtracks to find out. Read More..

For the Love of American Gods

Brian Reitzell is one of the greatest contemporary composers of our generation. You may have heard of him from his well-known work on The Virgin Suicides or Lost in Translation, but I first fell in love with Reitzell’s music after watching the canceled-way-too-soon series Hannibal on NBC. Reitzell manages to create music that is unlike anything you’ve ever heard, so imagine my delight when he joined forces with Bryan Fuller again after their stellar collaboration on Hannibal to bring the world of Neil Gaiman’s American Gods to life for Starz. Read More..

Summer Beach Reads 2017

Last year, we put together a list of some of our most anticipated summer releases to enjoy whether you’re vacationing in the Caribbean or in your own living room. This year, we have even more unconventional beach reads that will transport you to exotic locales and will introduce you to interesting new characters. All you’ll need is a library card, and your adventure awaits.  Read More..

Royal Reading

If you’re like me and are still in a post-Downton Abbey funk brought on by the gut-wrenching series finale, you may have heard about the recent ITV and PBS Masterpiece program Victoria, based on the bestselling novel by Daisy Goodwin, which appears in many ways to serve as a capable, well-crafted Downton successor.

My friends have been raving about Victoria’s lavish costumes, brilliant set designs, charming acting, and enthralling story. In fact, it seems to touch on all of my favorite aspects of television. British drama set in the Victorian era, check. A haunting and amazing main title theme sung by the Mediaeval Baebes, check. Jenna Coleman from Doctor Who playing the titular character, a million checks.

As a massive steampunk and urban fantasy fan, the Victoria I typically read about is not of the fleshy variety, either appearing as an undead creature of the night or a human mechanical hybrid.  Since it was high time I gave Victoria a chance, I decided to break out of my narrative wheelhouse and read some historical fiction with no runic magic systems, supernatural beings, or fog-ridden streets in sight. To see my thoughts on one of my first major forays into the genre, keep on reading.   Read More..

Infamous Hollywood Feuds: Bette & Joan Edition

Growing up on a farm as a kid, and being about as outdoorsy as a Kardashian, I often turned to old black and white films to escape to a world I thought better suited my own eclectic personality. I fell in love with the romanticized version of Hollywood and idolized the glamorous femme fatales of Film Noir along with their charming and roguish leading men.

I credit much of my infatuation to the mystique that shrouded the lives of Hollywood stars, and as an adult, I’ve tried to learn more about the real people behind these beloved characters through devouring various memoirs, biographies, and documentaries. Oftentimes, as one might expect, public perception and tabloids that dominated a very controlled news cycle do not match what lies beneath the surface.

I think one of the greatest challenges for film biographers is to get to some sliver of the truth by pulling back the studio-controlled veneer and separating myth from reality.  This is a quality that very few achieve.

In preparation for Ryan Murphy’s new anthology series Feud: Bette & Joan on FX, I decided to visit Shaun Considine’s critically acclaimed work Bette & Joan: The Divine Feud to learn about the series of events that sparked Bette Davis and Joan Crawford’s dramatic schism – and hopefully learn more about the real lives of these iconic starlets of the silver screen. Read More..

Better Than The Book? A Series of Unfortunate Events

Netflix has tapped into the way the world is feeling about 2017, releasing a television adaptation of Lemony Snicket’s beloved A Series of Unfortunate Events this month.

LPL’s resident Snicket fans Sarah and Fisher sat down to sort out their feelings about it— the good, the bad, and the extra unfortunate.

Netflix Poster

Fisher: When did you first start reading A Series of Unfortunate Events?  I’m also curious to learn more about what attracted you to the book series. 

Sarah: It was 2001. I took a Children’s Lit class at KU and we were lucky enough to speak with Lemony Snicket – AKA Daniel Handler – via speakerphone. Please remember, this was way before Skype! I wish I could go back and listen to that conversation again or at least find my notes from that time.  We read The Bad Beginning and I was immediately hooked. It was unlike any children’s book I had read before- so dark and creepy. Yet, hilarious!

Fisher: I agree!  I first read the books in Middle School around the time that The Wide Window came out.  This may sound ultra nerdy, but my friends and I had our own VFD club where we would write each other notes in Sebald Code and scan the local papers for signs of mysterious fires.  I’ve always had a darker sense of humor and liked that the series didn’t downplay the fact that sometimes awful things happen to the best of people.   

Sarah: I have always loved the macabre too. But these books were different. Darker. I mean, The Boxcar Children were orphans, but they were at least having fun adventures. There seems to be a lot of orphans in children’s literature. I guess it opens up the stories and lets kids be free to do anything imaginable.

Fisher: What were your initial impressions after finishing the show?  Did it make you happy as a book reader?

Sarah: Overall, yes. There were some changes made that, at first, I was unsure I would like, but I accepted as the episodes played out. Without getting into spoilers, there were characters who had more presence in the show than in the books. But their addition made sense, so I’m OK with it now. I’m sure Lemony Snicket will be happy to know I’m not mad about it.

Fisher: What’s interesting is that Lemony Snicket wrote most of the scripts for the show, so you know it’s canon.  Part of what made the Netflix series so much fun was that it got rid of the tedium of the early books by breaking up the repetitive plot points with new storylines.  I was genuinely surprised by some of the twists added to the story. 

Sarah: Absolutely! If I have any issue with the books (and I barely do) it’s that reading them in succession, out-loud, to my daughter, can get a little redundant – different day, different disguise. The pace and the changes in the Netflix series were refreshing. (And, no worries, there is an abundance of amazing disguises). There are also plenty of easter eggs in the show that you wouldn’t have picked up if you hadn’t read the books.

Fisher: Like Very Fresh Dill or Count Olaf mentioning the disappearance of his sugar bowl.  I like that it gives something new for fans who have read this series for the millionth time to watch instead of a scene-for-scene adaptation, which would have been a total snoozefest. 

Sarah:  Although, the books are darker, which I prefer.  There were times when I thought Neil Patrick Harris should have played Olaf a little more diabolically and a little less dumb. Don’t get me wrong, Olaf is dumb, but he’s more eviI than anything. The combination is flipped in the Netflix series.

Fisher: So true.  Like the later Harry Potter films, I think they will crank up the darkness as they move into the last few books while still retaining Snicket’s impeccable witticisms. 

Sarah: Did you like how it looked stylistically? What about some of the modern day references (like when Olaf says he bought his hour glass on Amazon)?

Fisher: I feel that those elements gave it a whimsical vibe – a la Pushing Daisies, which was the perfect route for them to take.  You can feel director Barry Sonnenfeld’s influence on the production design and cinematography.  I think they purposely went with an overly CGI, saturated environment, which effectively translates many of the book’s motifs and general style to the screen.               

Sarah: Well, they certainly went CGI on that baby’s face. Sorry, Sunny, but your face creeped me out and not in the right ways! However, I absolutely loved Patrick Warburton as Lemony Snicket. I can’t think of better casting than that. Perfection.

Fisher: I loved the opening scene where the Baudelaire orphans are on the beach and Patrick Warburton as Lemony Snicket is in a 50s style bathing romper narrating the story.  I died laughing!  He’s the MVP of the show, for sure.  I’m also obsessed that the person of indeterminate gender is so aware of current events in the world around them and has some of the best side rants.  It’s even more hilarious that Count Olaf doesn’t know what they are talking about half of the time.    

Sarah: Yes! Olaf even says at one point, “I don’t understand any of these words that you’re saying.”

Fisher: I know right!  It makes the tragedy of the Baudelaire orphans so much more tangible because this idiot manages to outwit all of the adults in the world even when the kids know exactly what he’s up to. 

Well, if you haven’t already guessed, I’m a massive fan of a good book adaptation, so there are a couple of things I try to keep in mind when evaluating whether or not it’s successful.  First, I like to see if the adaptation conveys the true essence of the source material.  Second, if they do make significant changes, the changes need to make sense in the transition from print to visual media.  Some of the best book adaptations like Game of Thrones understand how important these aspects are to fans.  Like, you can change some elements along the way, but you have to maintain the integrity of the original work.    Bad Beginning Cover 2

Sarah: Absolutely. Sometimes it can get tricky, though, when the author of the story also finds themselves in a screenwriting position. I think JK Rowling can struggle a bit because she wants to flush out the characters more and more and her audience is like, “But, maybe I didn’t need to know the genealogy of that wizard’s owl.” Stephen King is another one who comes to mind (and, for the record, I adore JK Rowling and Stephen King). But, remember when he made The Shining into a miniseries because he was unhappy with the Stanley Kubrick film? That didn’t go so well.

Fisher: Haha.  However, you know there are some Harry Potter fans who would totally read a 1,000 page tome on owl genealogy if JK Rowling wrote it.  It’s nice that Lemony Snicket can go back, revisit his earlier work, and in many ways improve it or answer lingering fan questions.  I think we all wondered how Count Olaf came into guardianship of the Baudelaire orphans, and this series answers stuff like that.  It makes me excited for future seasons because I felt that the books left us with so many cliffhangers that we may actually get some sense of closure – even if it is unfortunate.  Overall, do you feel Netflix succeeded in creating a series that is better than the books?     

Sarah: No, I think I still like the books more. What about you?

Fisher: As far as the earlier books go, I think that the show improved upon them by the addition of new material like we discussed before.  I do like the show better in that regard.  That being said, my opinion may change once they adapt some of my favorites in the series because I want them to play out just as I imagined.  As a final aside, why do you think this series is so important for people to read or watch today?

Sarah: Dealing with struggles in an obviously make-believe way can help kids confront their own problems in real life. Obviously the situations are exaggerated, but Violet, Klaus, and Sunny are great role models. I love that the kids are the most intelligent people in the stories. Children can recognize when they’re being minimized. That’s hard for adults to understand, but Lemony Snicket gets it.  Also, it’s just fantastic escapism. Everyone, regardless of age, can use more of that in their lives.

Fisher: I also think that this series helps bring a new perspective to situations.  I got into A Series of Unfortunate Events when my life was in a bit of an upheaval.  In a way, it was therapeutic to read about the perseverance of the Baudelaire orphans.  No matter what terrible circumstances life threw at them, they were able to keep moving forward because they had each other for support.  And, if you can think to yourself: at least there isn’t a murderous count who will stop at nothing to steal your enormous fortune, it helps you stay positive even when the world appears to be a bleak, dire, and oppressive place.

-Sarah Matthews and Fisher Adwell are public services assistants at Lawrence Public Library.

The Best Books from the Worst Year

Let’s be honest, 2016 has been kind of a hot mess. Between so many celebrity deaths (David Bowie, Sharon Jones, Prince, Alan Rickman, Muhammad Ali, Elie Wiesel… holy cow, SO MANY) and some, uh, general upheaval, most people are ready to write this one off as a loss.

But! As much as we’d like to say goodbye and good riddance to the year as a whole, we’d be remiss if we didn’t mention one of the very good things that came from 2016; this year has offered readers a wealth of fabulous new books. Debut authors and big-hitters alike have released incredible works in 2016, and the staff of LPL would like to share a few of our favorites. If you’re looking for great gifts for bibliophiles in your life, try one of these librarian-approved reads: Read More..

Queer Adventures in Romance

Every year, I try to challenge myself to diversify my reading.  Whether it’s exploring a new genre or delving into books written by authors of color, part of what I love most about reading is seeing the world from a new perspective or gaining a greater understanding of the beautiful lives of others.

This fall, I became obsessed with LGBTQ+ Romance novels, a genre I tend to avoid because I find it to be riddled with stereotypes.  Imagine my surprise when I picked up Widdershins by Jordan L. Hawk, which proved to be so much more than the generic romances I’ve become accustomed to perusing at the grocery store check-out aisle.   Read More..

Peculiar Reading

I first encountered Ransom Riggs’ Miss Peregrine’s Home For Peculiar Children after I started working at Lawrence Public Library over three years ago.  While shelving, I would often see the creepy, antique cover leering out from the stacks, which continued to intrigue me for some time.

Eventually, I had to know what the book was about (since I am totally guilty of judging a book by its cover) and brought it home to read during a brisk autumn evening. From its opening pages, I knew that it was a match made in book heaven, and Miss Peregrine soon became one of my YA favorites. Read More..